Best Practices for Archiving Digital Productions

Mar 7, 2019 · 0 min read
Abstract
In this contribution to the roundtable, Creating and Keeping Medieval Scholarship: A Consideration of Digital and Traditional Methods, I argue from a library and information science perspective that Laura Morreale’s Digital Documentation Process provides a collaborative means for curating digital scholarship data while also preserving representations of those projects. This paper discusses its application to Lynn Ramey’s digital edition of Jean Bodel’s Les Congés and suggests minor improvements to the process.
Date
Mar 7, 2019 12:00 AM — Mar 9, 2019 12:00 AM
Event
Location

Philadelphia, PA

events
Clifford B. Anderson
Authors
Director of the Divinity Library
My research interests include the study of algorithms as cultural artifacts, computational thinking in the humanities, large-scale textual analysis of narrative data, and the religious dimensions of intellectual property.