Continuing a long-standing cooperative relationship, ATLA and Vanderbilt University’s Divinity Library have contributed funding to support the open access publication of an edited volume in De Gruyter’s series on Introductions to Digital Humanities: Religion. The volumes in the series address ‘specific areas of study at the intersections of digital humanities & religion, offering an overview of current methodologies, techniques, tools, and projects as well as defining challenges and opportunities for further research.’
The third annual Cultural Heritage at Scale Conference takes place at the Vanderbilt University Library on June 1st, 2018.
The Andrew W. Mellon Foundation has awarded funding to Vanderbilt University for a workshop and planning effort to examine and address the technical, legal and economic challenges of preserving broadcast television news in the 21st century.
The inaugural Cultural Heritage at Scale symposium at the Vanderbilt University Central Library examines sustainable national-scale digital humanities projects, June 2-3, 2016.
The Ecclesiastical and Secular Sources for Slave Societies digital archive, directed by Jane Landers with support from the Vanderbilt Libraries, receives an ACLS Digital Extension Grant.
Vanderbilt Libraries experiment with live-streaming digital scholarship workshops via the Periscope app, with Clifford Anderson encouraging the campus community to broadcast under the #vandyscope hashtag.
Vanderbilt Libraries help researchers extract and analyze huge amounts of text, from earnings conference calls at the Owen School to television news coverage of water issues.
Three educational videos on copyright law and policy guide Vanderbilt faculty, staff, and students in the fair use of copyrighted materials in Blackboard, with Clifford Anderson serving on the copyright committee.
The ‘Picturing Our World’ exhibition at Vanderbilt Libraries uses digital technology to visualize collections, from 3D models of Nashville to Enrico Caruso’s postcards.
Pacific Standard explores the economics of scholarly book publishing, quoting Clifford Anderson on financial models that could make open-access monographs sustainable.